Recorded: Jan. 17, 2014, in Baillie Court, Art Gallery of Ontario
A leading authority on modern art, John Elderfield offers us an in-depth and insightful look at Henri Matisse and his ongoing relevance in contemporary art and culture. Elderfield brings a wealth of knowledge to this talk, as an independent curator and art historian, a consultant to Gagosian Gallery and as chief curator emeritus of Painting and Sculpture at the Museum of Modern Art, New York, where he directed more than 20 exhibitions, including Fauvism and its Affinities (1976), Kurt Schwitters (1985), de Kooning: A Retrospective (2011), and Henri Matisse: A Retrospective (1992).
This one-hour talk included a self-serve brown bag lunch of a sandwich and small pastry, created by the AGO’s culinary team.
The Brown Bag Lunch & Talk series is generously supported by
Recorded: Oct. 17, 2013, at Jackman Hall, Art Gallery of Ontario
Paul Graham is a British photographer based in New York. Lauded as “a profound force for renewal of the deep photographic tradition of engagement with the world,” he was awarded the 2012 Hasselblad award for major achievements in photography.
Recorded: Jan. 15, 2014, at Jackman Hall, Art Gallery of Ontario
Artist-in-residence Sara Angelucci; writer and historian Matthew Brower, Mark Peck, Royal Ontario Museum Ornithology Technician; and Bridget Stutchbury, author and Professor of Ornithology at York University, gathered to discuss the extinction and endangerment of North American birds as well as art and society’s relationship with the natural environment. The talk was moderated by the AGO’s curator of Canadian Art, Andrew Hunter.
The discussion was followed by a three-course meal served in FRANK restaurant, specially prepared by executive chef Jeff Dueck in consultation with Sara Angelucci. The main dish featured a vegetarian “pigeon-less” pie to mark the 100th anniversary of the extinction of the passenger pigeon. The passenger pigeon, formerly one of the most abundant birds in North America, was pushed to extinction in 1914 due to habitat destruction and over hunting. Dinner and dessert were each paired with a choice of white or red Ontario wine.
Sara Angelucci is a Toronto-based visual artist who works primarily with photography, video and audio, exploring vernacular archival materials such as home movies, snap-shots and vintage portraits and their limited ability to convey the exact sense of a lived experience. Working with these images Angelucci seeks to reposition them in the present, shedding light on their broader context and histories outside of the frame.
Matthew Brower is a lecturer in Museum Studies in the Faculty of Information at the University of Toronto. He writes on issues in animal studies, the history and theory of photography and contemporary art. He is the Author of Developing Animals: Wildlife and Early American Photography (University of Minnesota Press 2010). He has curated exhibitions in historical and contemporary art including Mieke Bal: Nothing is Missing, Gord Peteran: Recent Works,The Brothel Without Walls, Suzy Lake: Political Poetics, and Collective Identity │Occupied Spaces.
Mark Peck is the Collection Manager in Ornithology, Department of Natural History, Royal Ontario Museum (ROM) in Toronto. He is also involved in museum exhibits and programs and field research in South America, New Jersey and the Hudson Bay Lowlands of northern Ontario. In addition, he is the coordinator of the Ontario Nest Records Scheme, the ROM liaison for the Ontario Bird Records Committee and the program director for the Toronto Ornithological Club. In his off hours he is an avid bird photographer, traveling extensively for both his profession and his hobby. He has authored or coauthored numerous scientific and popular articles on birds and hundreds of his images have been published in books, magazines and on websites. Mark has been with the ROM since 1983.
Bridget Stutchbury is a professor in the Department of Biology at York University, Toronto. She completed her M.Sc. at Queen’s University and her PhD at Yale and was a postdoctoral fellow at the Smithsonian Institution. Since the 1980s, she has studied migratory songbirds to understand their behaviour, ecology and conservation. Her current research focuses on studying the incredible migration journeys of songbirds to help halt the severe declines in many species. She serves on the board of Wildlife Preservation Canada and is the author of Silence of the Songbirds (2007) and The Bird Detective (2010).
Recorded: Jan. 8, 2014, at Jackman Hall, Art Gallery of Ontario
This talk features former artist-in-residence Sara Angelucci in conversation with artists Spring Hurlbut and Marla Hlady about their work, points of convergence and departure.
Sara Angelucci (born Hamilton, Ont.) is a Toronto-based visual artist who works primarily with photography, video and audio, exploring vernacular archival materials such as home movies, snap-shots and vintage portraits and their limited ability to convey the exact sense of a lived experience. Working with these images Angelucci seeks to reposition them in the present, shedding light on their broader context and histories outside of the frame.
Spring Hurlbut (born Toronto, Ont.) is a Toronto-based artist whose installations, sculptures and photography explore life, death and the human condition. Hurlbut, through her sculptures, which incorporate bone, egg shells, and claws, her photographs of human ash and her solemn monochrome portraits, encourages the acceptance of one’s own mortality and attempts to find the beauty in this inevitability.
Marla Hlady (born Edmonton, Alta.) lives and works in Toronto as a sound and kinetic sculpture artist, exploring ways of experiencing sound through spatial and social contexts. Hlady’s pieces deal with the nature of sound, often materializing it for viewers and reorienting their connection to everyday auditory experiences.
On Jan. 2, 2014, artists Shary Boyle, Vanessa Dunn, Petra Collins and Aminah Sheikh got together on stage at AGO First Thursdays for a conversation entitled “21st-Century Art: Why Feminism Still (Really) Matters.” The talk was moderated by Nicola Spunt and presented by After School and Hazlitt. For those who couldn’t be here, an audio recording and links to media coverage:
Recorded: Thursday May 9, 7 pm in Jackman Hall
Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In this lecture, based on his recent book What Was Contemporary Art?, Art Historian Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
Richard Meyer is the Robert and Ruth Halperin Professor in Art History at Stanford University. He is the author, most recently, of What Was Contemporary Art (MIT Press: 2013) and co-editor, with Catherine Lord, of Art and Queer Culture (Phaidon Press: 2013).
Pacino Di Bonaguida (active around 1303-1347), The Apparition of Saint Michael, Leaf from the Laudario of Sant’ Agnese, around 1340, tempera and gold leaf on parchment. The British Library, London (Add. Ms. 35254 B)
Click to play:
Recorded: Wednesday, May 22, 7 pm in Jackman Hall
Gilles Mongeau and Sasha Suda
Listen as Gilles Mongeau and Sasha Suda discuss the challenges faced by early Renaissance artists, like Dante and Pacino, whose efforts to depict their changing world precipitated a radical new visual language.
Gilles Mongeau is the Director, Master of Divinity and Associate Professor of Systematic Theology at Regis College in Toronto. Sasha Suda is the Art Gallery of Ontario’s assistant curator of European art.
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Recorded: Tuesday, Dec. 13, 2012, at the Art Gallery of Ontario
Josef Sudek is regarded as one of the most legendary photographers from the 20th century and is best known for his compelling photographs of Prague. In this talk, AGO Next Members heard from AGO curator of photography Maia Sutnik and Stephen Bulger — owner of Toronto’s Stephen Bulger Gallery — about this visionary artist before viewing more than 175 photographs selected from the AGO’s Collection that span Sudek’s entire career.
Recorded: Jan. 9, 2013 in Jackman Hall, Art Gallery of Ontario
Mauricio Toussaint, Consul General of Mexico in Toronto, and Dot Tuer, guest curator of Frida & Diego: Passion, Politics and Painting at the AGO, introduce a free screening of the 1983 Mexican film Frida, Naturaleza Viva (1983), directed by Paul Leduc with Ofelia Medina as Frida and painter Juan José Gurrola as Diego. They discuss the artists and their iconic status and how the film represents their lives, their time and their art. The recording ends with a Q&A with the audience.