Recorded: Thursday May 9, 7 pm in Jackman Hall
Contemporary art in the early twenty-first century is often discussed as though it were a radically new phenomenon unmoored from history. Yet all works of art were once contemporary to the artist and culture that produced them. In this lecture, based on his recent book What Was Contemporary Art?, Art Historian Richard Meyer reclaims the contemporary from historical amnesia, exploring episodes in the study, exhibition, and reception of early twentieth-century art and visual culture.
Richard Meyer is the Robert and Ruth Halperin Professor in Art History at Stanford University. He is the author, most recently, of What Was Contemporary Art (MIT Press: 2013) and co-editor, with Catherine Lord, of Art and Queer Culture (Phaidon Press: 2013).
Pacino Di Bonaguida (active around 1303-1347), The Apparition of Saint Michael, Leaf from the Laudario of Sant’ Agnese, around 1340, tempera and gold leaf on parchment. The British Library, London (Add. Ms. 35254 B)
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Recorded: Wednesday, May 22, 7 pm in Jackman Hall
Gilles Mongeau and Sasha Suda
Listen as Gilles Mongeau and Sasha Suda discuss the challenges faced by early Renaissance artists, like Dante and Pacino, whose efforts to depict their changing world precipitated a radical new visual language.
Gilles Mongeau is the Director, Master of Divinity and Associate Professor of Systematic Theology at Regis College in Toronto. Sasha Suda is the Art Gallery of Ontario’s assistant curator of European art.
What is this thing?
The specimen in the video above, the larva of a webbing clothes moth (Tineola bisselliella), was discovered in a cardboard box stored on top of a wool carpet in an administrative office. At only 5mm long, webbing clothes moth larvae can be very difficult to detect. The red wool fibres from the carpet — also visible in the video — provided the larva a steady source of food. At this stage in its life cycle, after hatching from an egg, the moth can cause the most damage, because larvae feed on material and produce frass (aka excrement) that will be a colour similar to the material that has been eaten (in this case the red fibre from the carpet).
What’s happening in the video?
Conservators Sherry Phillips and Maria Sullivan collected the larva and viewed it under microscope to identify the specimen, and the carpet was immediately wrapped and sealed to prevent further migration of pests, then placed in a chest freezer to eliminate any other larvae, eggs and adults in the carpet.
Where did it come from?
Moths can find their way into the Gallery on coats, clothing or on other items that staff or visitors carry. New artworks or materials are screened for pests before placement in the galleries or vaults.
So, what’s the big deal?
All galleries and museums need to be vigilant and pro-active in keeping pests under control. The goal of an effective pest-management program is to find and deal with these issues before they affect the collection, and so efforts extend to all areas of the building, not just in the galleries. Larvae can cause extensive damage to artwork made of or containing materials that have protein, such as natural fibres — particularly silk and wool — as well as hides and feathers. AGO staff monitor for pests throughout the building on a weekly basis to identify potential problems, because it is easier to prevent a problem than to deal with an infestation.
Curious about Conservation?
If you have a burning question about Conservation, leave a comment below. We’ll do our best to give you an answer in an upcoming Conservation Notes post.
Signature Partner of the AGO’s Conservation Program
On Feb. 10, AGO artists in residence Life of a Craphead presented a new edition of Doored, a monthly performance show that they have been curating and hosting since 2012. Doored features exciting new work from performance artists and comedians in Toronto. This edition’s participants were Bridget Moser, Cameron Lee, CN Tower Liquidation, Daniel Goodbaum, Fake Injury Party, Glenn Macaulay, Gwen Bieniara, Laura McCoy, Lisa Smolkin, and Neil LaPierre and David Tallis, with live music by Man Made Hill, visuals by Nikki Woolsey and door by Zoe Solomon.
Doored is part of the regular programming at the artist-run venue Double Double Land in Kensington Market.
About Life of a Craphead
Life of a Craphead is the collaborative work of Amy Lam and Jon McCurley, comprising performance, comedy, theatre and video. Established in 2006, their projects include transporting two psychopaths in a cage on the back of a truck, touring a live comedy show, giving away everything on a restaurant’s menu, and building a three-storey maze. Their first feature-length film, Bugs, is in post-production. Life of a Craphead have presented work at The Power Plant, Toronto; Gallery TPW, Toronto; Hotel MariaKapel, Hoorn, The Netherlands; Department of Safety, Anacortes, U.S.; and the Banff Centre, Banff, as well as at numerous comedy venues and music shows in Canada and the U.S.
Life of a Craphead live and work in Toronto and collaborate frequently with other artists and performers.
Bridget Moser is an interdisciplinary artist whose performances combine inanimate objects, affect, prop comedy, and escape art. She has presented work in various venues across Canada, the United States, and Europe.
Cameron Lee received his BFA in Drawing and Painting from OCAD U, the University of the Imagination. He hasn’t drawn or painted much since graduating.
CN Tower Liquidation is Sebastian Butt, Charlie Murray and Xan Hawes. They specialize in the dematerialization and reconstitution of objects into cubes. Recent shows include Free(or Best Offer), Ed Video Media Arts Centre, Guelph; THASDF FORDFBDFG CDFBLLimdbbing MEAD, Gendai Workstation; and Paul Petro’s Christmas Spice.
Daniel Goodbaum is either an artist/comedian or a comedian/artist. He’s attempting a ‘reverse Woody Allen’ by starting as a filmmaker and working his way into standup. He makes videos about food, fashion, film, and one or two things that don’t start with the letter ‘f’.
Fake Injury Party are three full grown men who know how to get the job done and have fun doing it! Experience: catering, dishwashing, serving.
Glenn Macaulay has been performing comedy in Toronto since 2005. He believes in true love and has to get to the theatre nice and early in order to fully enjoy the experience.
Gwen Bieniara is an artist from Toronto who works closely with performance.
Laura McCoy lives and works in Toronto.
Lisa Smolkin is an artist living in Toronto. Some of her creative stand-out moments include hosting a connectedness workshop, having a home-museum tailored to its visitors, and co-presenting a performative installation about the idea of emotional receptivity/industrial receiving areas.
Man Made Hill is the Solo Funk Agenda of Randy Gagne. Incubated in a crusty basement in Cambridge, ON, Man Made Hill has been steady mutilating sounds since 2004. Armed with a modest arsenal of synthesizer/sampler/drum-machine/voice/dance MMH assumes a series of transformational stage personas including Extra-Terrestrial Sex Judge, Diseased Futuristic Priest, Energy-Mayonnaise Demonstrator, Prison Disco-Enthusiast etc…
Neil LaPierre and David Tallis are prophets of the hypercassional (events you’ll be finding yourself doing everyday several times a day). This is their first performance at the AGO.
Nikki Woolsey lives in Toronto and makes mostly sculpture and photography. She collaborated with Life of a Craphead at the Hotel Maria Kapel residency in The Netherlands and contributed to CN Tower Liquidation’s performative “Theory of Condensation” event at the AGO. She was included in the recent exhibition “That’s not a run in your stocking, it’s a hand on your leg” at Narwhal Art Projects. She sometimes works as a prop maker and production designer.
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Recorded: Tuesday, Dec. 13, 2012, at the Art Gallery of Ontario
Josef Sudek is regarded as one of the most legendary photographers from the 20th century and is best known for his compelling photographs of Prague. In this talk, AGO Next Members heard from AGO curator of photography Maia Sutnik and Stephen Bulger — owner of Toronto’s Stephen Bulger Gallery — about this visionary artist before viewing more than 175 photographs selected from the AGO’s Collection that span Sudek’s entire career.
Recorded: Jan. 9, 2013 in Jackman Hall, Art Gallery of Ontario
Mauricio Toussaint, Consul General of Mexico in Toronto, and Dot Tuer, guest curator of Frida & Diego: Passion, Politics and Painting at the AGO, introduce a free screening of the 1983 Mexican film Frida, Naturaleza Viva (1983), directed by Paul Leduc with Ofelia Medina as Frida and painter Juan José Gurrola as Diego. They discuss the artists and their iconic status and how the film represents their lives, their time and their art. The recording ends with a Q&A with the audience.
Recorded: Dec. 6, 2012, in the The Anne Tanenbaum Gallery School, Art Gallery of Ontario
In this talk, Hayden Herrera interweaves Kahlo’s biography and her painting. She discusses Kahlo’s turning to painting after her bus accident at age 18, her difficult marriage to muralist Diego Rivera and its effect on her imagery, her childlessness and her numerous surgical operations and how she dealt with them in her self-portraits.
Hayden Herrera is an art historian and biographer of Frida Kahlo. She has lectured widely, curated several exhibitions of art, taught Latin American art at New York University and has been awarded a Guggenheim Fellowship. Her books include Frida: A Biography of Frida Kahlo; Mary Frank; and Matisse: A Portrait. She is working on a critical biography of Isamu Noguchi. She lives in New York City.