The scholarship, which was inaugurated in 2013, recognizes three full-time students—Canadian or international—who are entering their final year of study toward a Bachelor of Fine Arts degree with a focus or major in photography at one of 15 participating post-secondary institutions across Canada. From a list of more than 100 applicants this year, which was then whittled down to 15 finalists, the jury has awarded the scholarship to Seamus Gallagher of Nova Scotia College of Art and Design University (NSCAD), Curtiss Randolph of Ryerson University, and Alessandro Seccareccia of Concordia University. The winners each receive $7,000 toward tuition for their final year of undergraduate study.
If you’re an adult who hasn’t touched clay or seen a canvas since middle school, or a teenager who wants to get into the studio outside of school, we have the course for you! It’s low commitment in every single way, and we promise – you won’t be judged!
After making its only stop in North America here at the AGO, we said goodbye to the Georgia O’Keeffe exhibition at the end of July.
O’Keeffe certainly made an impression in Toronto. Over its three-month run from April 22 to July 30, the exhibition drew a total of 187,673 visitors! As the largest showing of Georgia O’Keeffe’s work to ever take place in Canada (with over 80 works on display), this memorable exhibition has rightfully earned a spot among the top 10 most-visited exhibitions in AGO history. Read the rest of this entry »
Gary Bercovitch is a familiar face for AGO Members. Image courtesy of the AGO.
Does this face look familiar to you? If you’re an AGO Member, you not only know this man, but you can pick him out of a crowd. Gary Bercovitch—our longtime Membership Assistant, and so much more—has become such a staple at the AGO that he gets recognized inside our walls and outside them, too.
If you know Gary best behind a desk, read our interview with him to get to know him a little better. And if you don’t know Gary yet, meet one of the friendly people you get to know when you become a Member. Read the rest of this entry »
Studio portrait of Shary Boyle, 2017, by Marc DeGuerre . Courtesy of artist.
Scarborough-born artist and AGO Trustee Shary Boyle is well-known throughout Canada – and after representing the country at the 2013 Venice Biennale, internationally as well. But however common her name might be throughout the art world, the best way to get to know her is through her art itself. Read the rest of this entry »
Want to know what’s happening in the art world at this very moment? We’ve rounded up some of the most interesting art news stories making the rounds here at the AGO. From the weird to the inspired, here’s what’s making water cooler talk.
David Alexander and Julie Crooks examining photographs in Free Black North. Photo: AGO
As you’ve read in the AGOinsider, our current exhibition Free Black Northis an installation of close to 30 rarely seen photographs of men, women and children living in Ontario in the mid-to-late 1800s, many of whom were descendants of Black refugees who escaped enslavement in the Southern United States. The exhibition tells the story of how historically Black Canadian communities used photography as a tool to visualize and lay claim to their complex histories.
These portraits, drawn from collections at Brock University and the Archives of Ontario—many exhibited here for the first time—highlight how these mostly unknown individuals presented themselves with style, dignity and self-assurance. And now, with the help of several people, one of the subjects of these photographs is no longer unknown.
Guillermo del Toro is a busy guy. Between his many film, TV and book projects, he found the time to collaborate with the AGO, the Los Angeles County Museum of Art, and the Minneapolis Institute of Art on our upcoming fall exhibition Guillermo del Toro: At Home with Monsters. Of course, he’s also been busy with his latest film, The Shape of Water, in theatres December 8. But lucky news for Torontonians: the film will be screening at our very own Toronto International Film Festival in September.
Anyone who has been to the AGO since we began Look:Forward (a major reinstallation of the AGO Collection meant to showcase more of the AGO’s works, including some that have not been shown since the Gallery acquired them) has noticed all the busy hands working in cordoned-off areas. Those are the members of the AGO’s installation teams, and they are superstars.
Sometimes completely out of sight, sometimes behind thin veils of plastic and sometimes operating in full view of onlookers, the conservators, curators and installers who make Look:Forward possible are in full force during Gallery hours (and closed hours too). They’re the ones making sure AGO Members and visitors are getting the best art experience possible—and it’s no easy feat.
Don’t take our word for it; watch these time-lapse videos taken during the reinstallation of three major spaces in the AGO: the E.R. Wood Gallery (featuring European art), the Joey & Toby Tanenbaum Sculpture Atrium (featuring the stunning Rodin sculptures) and the Richard Barry Fudger Memorial Gallery (featuring 19th century European artwork).
The exhibitionshowcases the AGO’s significant collection of Latin American contemporary art and features works from 25 artists in various media, ranging from works on paper, paintings and sculptures to large-scale installations
The AGO’s collection of Latin American art has evolved dramatically thanks to a 10-year partnership between the AGO and Sherritt International Corporation, which began in 2006. Through this partnership, the AGO was able to purchase contemporary art from the growing scene in Cuba – some of these acquisitions are included in the exhibition. Stephan Jost (the AGO’s Michael and Sonja Koerner Director, and CEO) took us on a tour of some of his favourite pieces, including Wilfredo Pieto’s One, a Sherritt partnership purchase, now on view on Level 5 of our Contemporary Tower.