<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
		>
<channel>
	<title>Comments on: Memories of King Tut: Nieces and Nephews</title>
	<atom:link href="http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/feed/" rel="self" type="application/rss+xml" />
	<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/</link>
	<description>The Art Gallery of Ontario Blog</description>
	<lastBuildDate>Thu, 15 Dec 2011 19:27:00 +0000</lastBuildDate>
	<sy:updatePeriod>hourly</sy:updatePeriod>
	<sy:updateFrequency>1</sy:updateFrequency>
	<generator>http://wordpress.org/?v=3.3.1</generator>
	<item>
		<title>By: Jeff Hilborn</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-2171</link>
		<dc:creator>Jeff Hilborn</dc:creator>
		<pubDate>Wed, 31 Mar 2010 15:43:23 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-2171</guid>
		<description>I was 16 when my parents, brothers and sister went to see King Tut at the AGO. I was blown away by the experience. The quality of the workmanship of the items on display was an eye-opener for me as I never expected to see such art from a society from so long ago. It opened my eyes to history &amp; art and I&#039;ve loved it ever since.</description>
		<content:encoded><![CDATA[<p>I was 16 when my parents, brothers and sister went to see King Tut at the AGO. I was blown away by the experience. The quality of the workmanship of the items on display was an eye-opener for me as I never expected to see such art from a society from so long ago. It opened my eyes to history &amp; art and I&#8217;ve loved it ever since.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Jeff Hilborn</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-4012</link>
		<dc:creator>Jeff Hilborn</dc:creator>
		<pubDate>Wed, 31 Mar 2010 15:43:00 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-4012</guid>
		<description>I was 16 when my parents, brothers and sister went to see King Tut at the AGO. I was blown away by the experience. The quality of the workmanship of the items on display was an eye-opener for me as I never expected to see such art from a society from so long ago. It opened my eyes to history &amp; art and I&#039;ve loved it ever since.</description>
		<content:encoded><![CDATA[<p>I was 16 when my parents, brothers and sister went to see King Tut at the AGO. I was blown away by the experience. The quality of the workmanship of the items on display was an eye-opener for me as I never expected to see such art from a society from so long ago. It opened my eyes to history &amp; art and I&#8217;ve loved it ever since.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: George Countryman</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-1835</link>
		<dc:creator>George Countryman</dc:creator>
		<pubDate>Sun, 28 Feb 2010 14:10:49 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-1835</guid>
		<description>The over all experience of visiting this exhibit was very poor.

The exhibits themselves are excellent but the staging of the exhibit and the flow of traffic was atrocious. 

Right from the start it is ill conceived. 50 or so attendees crammed together listening to a superfluous video preamble by Harrison Ford simply served to create a bottle neck wave of jostling viewers and created an atmosphere akin to P. T. Barnum&#039;s museum of oddities.

Allowing children under the age of 10 in also created an atmosphere of a side show. There is nothing in the exhibit that can appeal to a babe in arms and their fussing and screeching destroys the experience for everyone else.

I know institutions like the AGO feel the pressure to be all inclusive but to do so at the expense of the rest of the paying attendees is just foolish.

The Dead Sea Scroll exhibit at the ROM was far far better organized than this mess at the AGO.

All in all this exhibit&#039;s content was excellent but the AGO simply botched the execution totally.</description>
		<content:encoded><![CDATA[<p>The over all experience of visiting this exhibit was very poor.</p>
<p>The exhibits themselves are excellent but the staging of the exhibit and the flow of traffic was atrocious. </p>
<p>Right from the start it is ill conceived. 50 or so attendees crammed together listening to a superfluous video preamble by Harrison Ford simply served to create a bottle neck wave of jostling viewers and created an atmosphere akin to P. T. Barnum&#8217;s museum of oddities.</p>
<p>Allowing children under the age of 10 in also created an atmosphere of a side show. There is nothing in the exhibit that can appeal to a babe in arms and their fussing and screeching destroys the experience for everyone else.</p>
<p>I know institutions like the AGO feel the pressure to be all inclusive but to do so at the expense of the rest of the paying attendees is just foolish.</p>
<p>The Dead Sea Scroll exhibit at the ROM was far far better organized than this mess at the AGO.</p>
<p>All in all this exhibit&#8217;s content was excellent but the AGO simply botched the execution totally.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: George Countryman</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-4011</link>
		<dc:creator>George Countryman</dc:creator>
		<pubDate>Sun, 28 Feb 2010 14:10:00 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-4011</guid>
		<description>The over all experience of visiting this exhibit was very poor.

The exhibits themselves are excellent but the staging of the exhibit and the flow of traffic was atrocious. 

Right from the start it is ill conceived. 50 or so attendees crammed together listening to a superfluous video preamble by Harrison Ford simply served to create a bottle neck wave of jostling viewers and created an atmosphere akin to P. T. Barnum&#039;s museum of oddities.

Allowing children under the age of 10 in also created an atmosphere of a side show. There is nothing in the exhibit that can appeal to a babe in arms and their fussing and screeching destroys the experience for everyone else.

I know institutions like the AGO feel the pressure to be all inclusive but to do so at the expense of the rest of the paying attendees is just foolish.

The Dead Sea Scroll exhibit at the ROM was far far better organized than this mess at the AGO.

All in all this exhibit&#039;s content was excellent but the AGO simply botched the execution totally.</description>
		<content:encoded><![CDATA[<p>The over all experience of visiting this exhibit was very poor.</p>
<p>The exhibits themselves are excellent but the staging of the exhibit and the flow of traffic was atrocious. </p>
<p>Right from the start it is ill conceived. 50 or so attendees crammed together listening to a superfluous video preamble by Harrison Ford simply served to create a bottle neck wave of jostling viewers and created an atmosphere akin to P. T. Barnum&#8217;s museum of oddities.</p>
<p>Allowing children under the age of 10 in also created an atmosphere of a side show. There is nothing in the exhibit that can appeal to a babe in arms and their fussing and screeching destroys the experience for everyone else.</p>
<p>I know institutions like the AGO feel the pressure to be all inclusive but to do so at the expense of the rest of the paying attendees is just foolish.</p>
<p>The Dead Sea Scroll exhibit at the ROM was far far better organized than this mess at the AGO.</p>
<p>All in all this exhibit&#8217;s content was excellent but the AGO simply botched the execution totally.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Frank Dos Santos</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-1832</link>
		<dc:creator>Frank Dos Santos</dc:creator>
		<pubDate>Sat, 27 Feb 2010 19:48:16 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-1832</guid>
		<description>I was at the exhibit 30 years ago when I was only 8 and I still remember it vividly. So now I am bringing my 3 children to see it so they can have a memory that will last a lifetime.</description>
		<content:encoded><![CDATA[<p>I was at the exhibit 30 years ago when I was only 8 and I still remember it vividly. So now I am bringing my 3 children to see it so they can have a memory that will last a lifetime.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Frank Dos Santos</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-4010</link>
		<dc:creator>Frank Dos Santos</dc:creator>
		<pubDate>Sat, 27 Feb 2010 19:48:00 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-4010</guid>
		<description>I was at the exhibit 30 years ago when I was only 8 and I still remember it vividly. So now I am bringing my 3 children to see it so they can have a memory that will last a lifetime.</description>
		<content:encoded><![CDATA[<p>I was at the exhibit 30 years ago when I was only 8 and I still remember it vividly. So now I am bringing my 3 children to see it so they can have a memory that will last a lifetime.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Susan MacDonald</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-1446</link>
		<dc:creator>Susan MacDonald</dc:creator>
		<pubDate>Mon, 25 Jan 2010 16:56:36 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-1446</guid>
		<description>I visited the King Tut exhibit when it was in Toronto in 1979. I was 11 years old and had been picked in my class to be part of the field trip downtown. I remember being so excitied that morning that I was up and ready by 5:30 A.M. I remember being in awe of the exhibit. I pictured in my mind the people who had made all that was before me in downtown Toronto; years and worlds away from Egypt. I too was worried about the Curse of Tutankhamun and wondered if I should fully gaze at all before me. I couldn&#039;t help myself. I remember thinking how few people had seen these objects and how special it was to be there. I now live in PEI and I doubt that I will be able to get to Toronto to see it again but who knows stranger things have happened.</description>
		<content:encoded><![CDATA[<p>I visited the King Tut exhibit when it was in Toronto in 1979. I was 11 years old and had been picked in my class to be part of the field trip downtown. I remember being so excitied that morning that I was up and ready by 5:30 A.M. I remember being in awe of the exhibit. I pictured in my mind the people who had made all that was before me in downtown Toronto; years and worlds away from Egypt. I too was worried about the Curse of Tutankhamun and wondered if I should fully gaze at all before me. I couldn&#8217;t help myself. I remember thinking how few people had seen these objects and how special it was to be there. I now live in PEI and I doubt that I will be able to get to Toronto to see it again but who knows stranger things have happened.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Susan MacDonald</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-4009</link>
		<dc:creator>Susan MacDonald</dc:creator>
		<pubDate>Mon, 25 Jan 2010 16:56:00 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-4009</guid>
		<description>I visited the King Tut exhibit when it was in Toronto in 1979. I was 11 years old and had been picked in my class to be part of the field trip downtown. I remember being so excitied that morning that I was up and ready by 5:30 A.M. I remember being in awe of the exhibit. I pictured in my mind the people who had made all that was before me in downtown Toronto; years and worlds away from Egypt. I too was worried about the Curse of Tutankhamun and wondered if I should fully gaze at all before me. I couldn&#039;t help myself. I remember thinking how few people had seen these objects and how special it was to be there. I now live in PEI and I doubt that I will be able to get to Toronto to see it again but who knows stranger things have happened.</description>
		<content:encoded><![CDATA[<p>I visited the King Tut exhibit when it was in Toronto in 1979. I was 11 years old and had been picked in my class to be part of the field trip downtown. I remember being so excitied that morning that I was up and ready by 5:30 A.M. I remember being in awe of the exhibit. I pictured in my mind the people who had made all that was before me in downtown Toronto; years and worlds away from Egypt. I too was worried about the Curse of Tutankhamun and wondered if I should fully gaze at all before me. I couldn&#8217;t help myself. I remember thinking how few people had seen these objects and how special it was to be there. I now live in PEI and I doubt that I will be able to get to Toronto to see it again but who knows stranger things have happened.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gayle Remisch</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-1406</link>
		<dc:creator>Gayle Remisch</dc:creator>
		<pubDate>Thu, 21 Jan 2010 00:19:25 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-1406</guid>
		<description>Substantially the most significant event in my life.  I was 14 and I took the train from St. Catharines to Toronto on my own to see the exhibit.  I was seriously an Egyptology addict.  I was determined to decipher the Hieroglyphs alone.  I brought my sketch pad and my &quot;Egyptian Book of the Dead&quot;.  With it I intended on locating the hieroglyphs and figuring out what the inscriptions said for myself.  I didn&#039;t want to rely on the translations provided.  

As I sat there in front of the animal skin piece on the pole, copying the hieroglyphs meticulously into my sketch pad a gentleman came and sat down beside me.  He asked me what I was doing and when I replied and explained, he pointed to the symbols and explained what each one was and it&#039;s significance to the others - their relationship and thus the meaning of the inscription.  

I was stunned and in awe of this man who knew all of this off the top of his head.  I wanted to be like him, I wanted to be able to read the hieroglyphics more than anything else in the world.  He then introduced himself to me as the professor of Egyptology at the U of T.  I wanted him to adopt me right then and there.  He did the next best thing.  He arranged for me to get a copy of the text book they used at the university &quot;Gardiner&#039;s Egyptian Grammar&quot;.  We stayed in contact for a little while after I returned home, but lost contact over time.  

Unfortunately as the good book says, &quot;Time and unforeseen circumstances befall us all&quot; and so they did in my life also.  Family challenges, health and situations did not allow my passion and goals to be achieved and come to fruition. However, I still remain passionate, and cherish the book and the memories. Whenever I&#039;m able to allow myself the luxury of revisiting them I take out the book and my sketch pad and work through the lessons on my own.  In my dreams I&#039;m an Egyptology and Hieroglyphic linguist. 

Thank you for bringing my memories back to life.</description>
		<content:encoded><![CDATA[<p>Substantially the most significant event in my life.  I was 14 and I took the train from St. Catharines to Toronto on my own to see the exhibit.  I was seriously an Egyptology addict.  I was determined to decipher the Hieroglyphs alone.  I brought my sketch pad and my &#8220;Egyptian Book of the Dead&#8221;.  With it I intended on locating the hieroglyphs and figuring out what the inscriptions said for myself.  I didn&#8217;t want to rely on the translations provided.  </p>
<p>As I sat there in front of the animal skin piece on the pole, copying the hieroglyphs meticulously into my sketch pad a gentleman came and sat down beside me.  He asked me what I was doing and when I replied and explained, he pointed to the symbols and explained what each one was and it&#8217;s significance to the others &#8211; their relationship and thus the meaning of the inscription.  </p>
<p>I was stunned and in awe of this man who knew all of this off the top of his head.  I wanted to be like him, I wanted to be able to read the hieroglyphics more than anything else in the world.  He then introduced himself to me as the professor of Egyptology at the U of T.  I wanted him to adopt me right then and there.  He did the next best thing.  He arranged for me to get a copy of the text book they used at the university &#8220;Gardiner&#8217;s Egyptian Grammar&#8221;.  We stayed in contact for a little while after I returned home, but lost contact over time.  </p>
<p>Unfortunately as the good book says, &#8220;Time and unforeseen circumstances befall us all&#8221; and so they did in my life also.  Family challenges, health and situations did not allow my passion and goals to be achieved and come to fruition. However, I still remain passionate, and cherish the book and the memories. Whenever I&#8217;m able to allow myself the luxury of revisiting them I take out the book and my sketch pad and work through the lessons on my own.  In my dreams I&#8217;m an Egyptology and Hieroglyphic linguist. </p>
<p>Thank you for bringing my memories back to life.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gayle Remisch</title>
		<link>http://artmatters.ca/wp/2009/08/memories-of-king-tut-nieces-and-nephews/comment-page-2/#comment-4008</link>
		<dc:creator>Gayle Remisch</dc:creator>
		<pubDate>Thu, 21 Jan 2010 00:19:00 +0000</pubDate>
		<guid isPermaLink="false">http://artmatters.ca/wp/?p=995#comment-4008</guid>
		<description>Substantially the most significant event in my life.  I was 14 and I took the train from St. Catharines to Toronto on my own to see the exhibit.  I was seriously an Egyptology addict.  I was determined to decipher the Hieroglyphs alone.  I brought my sketch pad and my &quot;Egyptian Book of the Dead&quot;.  With it I intended on locating the hieroglyphs and figuring out what the inscriptions said for myself.  I didn&#039;t want to rely on the translations provided.  

As I sat there in front of the animal skin piece on the pole, copying the hieroglyphs meticulously into my sketch pad a gentleman came and sat down beside me.  He asked me what I was doing and when I replied and explained, he pointed to the symbols and explained what each one was and it&#039;s significance to the others - their relationship and thus the meaning of the inscription.  

I was stunned and in awe of this man who knew all of this off the top of his head.  I wanted to be like him, I wanted to be able to read the hieroglyphics more than anything else in the world.  He then introduced himself to me as the professor of Egyptology at the U of T.  I wanted him to adopt me right then and there.  He did the next best thing.  He arranged for me to get a copy of the text book they used at the university &quot;Gardiner&#039;s Egyptian Grammar&quot;.  We stayed in contact for a little while after I returned home, but lost contact over time.  

Unfortunately as the good book says, &quot;Time and unforeseen circumstances befall us all&quot; and so they did in my life also.  Family challenges, health and situations did not allow my passion and goals to be achieved and come to fruition. However, I still remain passionate, and cherish the book and the memories. Whenever I&#039;m able to allow myself the luxury of revisiting them I take out the book and my sketch pad and work through the lessons on my own.  In my dreams I&#039;m an Egyptology and Hieroglyphic linguist. 

Thank you for bringing my memories back to life.</description>
		<content:encoded><![CDATA[<p>Substantially the most significant event in my life.  I was 14 and I took the train from St. Catharines to Toronto on my own to see the exhibit.  I was seriously an Egyptology addict.  I was determined to decipher the Hieroglyphs alone.  I brought my sketch pad and my &#8220;Egyptian Book of the Dead&#8221;.  With it I intended on locating the hieroglyphs and figuring out what the inscriptions said for myself.  I didn&#8217;t want to rely on the translations provided.  </p>
<p>As I sat there in front of the animal skin piece on the pole, copying the hieroglyphs meticulously into my sketch pad a gentleman came and sat down beside me.  He asked me what I was doing and when I replied and explained, he pointed to the symbols and explained what each one was and it&#8217;s significance to the others &#8211; their relationship and thus the meaning of the inscription.  </p>
<p>I was stunned and in awe of this man who knew all of this off the top of his head.  I wanted to be like him, I wanted to be able to read the hieroglyphics more than anything else in the world.  He then introduced himself to me as the professor of Egyptology at the U of T.  I wanted him to adopt me right then and there.  He did the next best thing.  He arranged for me to get a copy of the text book they used at the university &#8220;Gardiner&#8217;s Egyptian Grammar&#8221;.  We stayed in contact for a little while after I returned home, but lost contact over time.  </p>
<p>Unfortunately as the good book says, &#8220;Time and unforeseen circumstances befall us all&#8221; and so they did in my life also.  Family challenges, health and situations did not allow my passion and goals to be achieved and come to fruition. However, I still remain passionate, and cherish the book and the memories. Whenever I&#8217;m able to allow myself the luxury of revisiting them I take out the book and my sketch pad and work through the lessons on my own.  In my dreams I&#8217;m an Egyptology and Hieroglyphic linguist. </p>
<p>Thank you for bringing my memories back to life.</p>
]]></content:encoded>
	</item>
</channel>
</rss>

