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<title>Edward Steichen: In High Fashion Audio Tour</title>

<link>http://www.ago.net/steichen/</link>

<language>en-us</language>

<copyright>&#x2117; &amp; &#xA9; 2008 Art Gallery of Ontario</copyright>

<itunes:subtitle>Audio tour of the exhibition</itunes:subtitle>

<itunes:author>Art Gallery of Ontario</itunes:author>

<description>Podcast by the curators of Edward Steichen: In High Fashion, the Condé Nast Years 1923–1937, at the AGO until January 3, 2010.</description>

<itunes:summary>Edward Steichen: In High Fashion, the Condé Nast Years 1923–1937 is on at the AGO until January 3, 2010. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.</itunes:summary>

<itunes:owner>

	<itunes:name>Art Gallery of Ontario</itunes:name>

	<itunes:email>information@ago.net</itunes:email>

</itunes:owner>

<itunes:image href="http://www.artmatters.ca/podcasts/steichen-podcast.jpg" />

<itunes:category text="Arts">

	<itunes:category text="Visual Arts"/>

</itunes:category>

<itunes:explicit>clean</itunes:explicit> 



<item>

<title>William Ewing on Sinclair Lewis</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>Writer Sinclair Lewis, 1932. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937. </itunes:subtitle>

<itunes:summary>Writer Sinclair Lewis, 1932. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:01 EST</pubDate>

<itunes:duration>2:24</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

</item>



<item>

<title>William Ewing on 'Simply Black'</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>(Left) “Black”: Model Margaret Horan in a black dress by Jay-Thorpe, 1935. Gelatin silver print. (Right) “Black”: Model Frances Douelon in a black jersey gown, 1935. Gelatin silver print. </itunes:subtitle>

<itunes:summary>(Left) “Black”: Model Margaret Horan in a black dress by Jay-Thorpe, 1935. Gelatin silver print. (Right) “Black”: Model Frances Douelon in a black jersey gown, 1935. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:02 EST</pubDate>

<itunes:duration>3:14</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

</item>



<item>

<title>Todd on Marion Moorehouse</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>Marion Morehouse wearing a dress by Chéruit and jewelry by Black, Starr and Frost, next to a piano designed by Steichen, 1928. Gelatin silver print.  From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937. </itunes:subtitle>

<itunes:summary>Marion Morehouse wearing a dress by Chéruit and jewelry by Black, Starr and Frost, next to a piano designed by Steichen, 1928. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:03 EST</pubDate>

<itunes:duration>1:33</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

</item>


<item>

<title>Todd on Conrad Veight</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>Actor Conrad Veidt, 1929. Gelatin silver print.  From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937. </itunes:subtitle>

<itunes:summary>Actor Conrad Veidt, 1929. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:04 EST</pubDate>

<itunes:duration>0:57</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

</item>

<item>

<title>Natalie on Joan Crawford (en français)</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>Actress Joan Crawford in a dress by Schiaparelli, 1932. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937. </itunes:subtitle>

<itunes:summary>Actress Joan Crawford in a dress by Schiaparelli, 1932. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:05 EST</pubDate>

<itunes:duration>1:48</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

</item>


<item>

<title>Natalie on Gary Cooper (en français)</title>

<itunes:author>Art Gallery of Ontario</itunes:author>

<itunes:subtitle>Actor Gary Cooper, 1930. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937. </itunes:subtitle>

<itunes:summary>Actor Gary Cooper, 1930. Gelatin silver print. From the exhibition Edward Steichen: In High Fashion, the Condé Nast Years, 1923 –1937 at the Art Gallery of Ontario. As chief photographer for Vogue and Vanity Fair, Edward Steichen profoundly shaped the look of celebrity and fashion photography in the 1920s and ’30s. This exhibition is curated by William A. Ewing, director, Musée de l´Elysée; Todd Brandow, executive director, Foundation for the Exhibition of Photography; and Nathalie Herschdorfer, curator, Musée de l’Elysée. Photos courtesy Condé Nast Archive, New York. © Condé Nast Publications.  </itunes:summary>

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<pubDate>Mon, 04 Jan 2010 02:18:06 EST</pubDate>

<itunes:duration>1:27</itunes:duration>

<itunes:explicit>clean</itunes:explicit>

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